Saturday, 24 November 2012

November 24th

Degenerate art

a procession of mourners

pay their last respects

I was reading about “Degenerate Art” today, the label applied by the Nazi’s to any art which didn’t fit their ideals on realism, classically influenced art or promotion of the Reich. This meant that most modern art would be labelled degenerate, including art by such eminent German artists as Max Ernst and Otto Dix (both first world war veterans). Artists fled Germany, were prevented from working, or were in extreme cases, executed like poor Elfriede Lohse-Wächtler, through forced euthanasia.

The Nazi’s put on a show of Degenerate Art with dismissive labels, to instruct the populace as to why the works were degenerate. As this BBC article states.

An exhibition of confiscated works titled Entartete Kunst, which took place in Munich in July 1937, was advertised as "culture documents of the decadent work of Bolsheviks and Jews".

When I was on a Munich walking tour some years ago, the guide said that the Degenerate exhibition had several times the number of visitors as the officially endorsed Nazi art gallery next door. It seems the German people were not all taken in by this propaganda and were (privately) curious to make up their own minds.

Many art works were sold, many were destroyed.

Hitler himself was a frustrated artist, before taking up politics, he led a life of someone he would have labelled “degenerate” once he’d got into power. He painted detailed architecture and landscapes, his work was fairly boring it seems, lacking in emotion. Paul von Hindenburg, Hitler’s predecessor as Chancellor, one of the military and political heavyweights of the early part of the 20th century called him the “Bohemian Corporal”, due to his failure at becoming an artist and his low rank during World War 1.

It’s interesting to compare Hitler’s work (of which only a few examples of survive or are attributable to him) with Churchill, another keen painter. Churchill, suffering depression, his “black dog” for most of his life, saw art as a way of release, of coping, of coming to terms with the darkness. His book, “Painting as a Pastime” is a treat (D has a copy which is wonderful). You can feel that in his work, which although quite naive, is expressive.

Hitler, you can imagine, with his dedication to detail and buildings seemed emasculated and stifled by his inability to express.

Above: The Courtyard of the Old Residency in Munich (Adolf Hitler, 1913, Watercolour)

Sunset Over The Atlas Mountains (Winston Churchill, 1935).

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