sweet bird song ventured
unsure from flagging branches
farewell till the thaw
Birds seem to be singing over the last few days. Unusual for this time of year, maybe they are migrating, saying goodbye. We’ll hear them again in the Spring.
2012, 366 days (we have a leap year) of Haikus. Following the 5-7-5 syllable structure. Wish me luck!
sweet bird song ventured
unsure from flagging branches
farewell till the thaw
Birds seem to be singing over the last few days. Unusual for this time of year, maybe they are migrating, saying goodbye. We’ll hear them again in the Spring.
I am five again
walking to school and kicking
the dry leaves skywards
newspaper tumbles
betwixt the trees breaking from
the cracked paving slabs
coming to rest on
black painted railings, a sail
fluttering helpless
------
the damp chill dissolved
by the sun rising, singing
then again the rain
London on an Autumn morning. Two poems, one a two Haiku composition and another standalone. Sometimes I think that I’ve written something similar on a previous day this year. The second especially seems to remind me of something I’ve previously written, but at least there’s another original offering for today.
Cleopatra eyes
jump suits, disaffected youth
flowers of romance
Trying to capture (cheesily!) the spirit of the late 70s/ early 80s. Some great bands around then. Siouxsie and the Banshees, PIL (whom I quote in the final line), The Stranglers, Joy Division, Depeche Mode, Tubeway Army and many more. I wasn’t old enough to see those bands then, but with this trend in bands reforming, I’ve had many opportunities to catch up for some of them.
Tonight I saw Ultravox live at Hammersmith, they’re a bit older, greyer, but were still fantastic. This was the second incarnation, fronted by Midge Ure of course, although I love the John Foxx stuff too and saw him live recently (check my other blog).
Shame some nutter lady smashed a trifle/custard pie on Midge’s head during the encore!
Anyway, here is one of the tracks from their 1980 Vienna album. “Mr X”. Not a single, but crazily dystopian with great synth and drum work, not forgetting Billy Currie’s Viola.
the wood mouse pulls his
dried red onion peel blankets
over his slim back
settled and warm in
his cosy borrower bed
whisker twitch – goodnight!
Two Haikus squished together today.
Our cat Katie had brought in a mouse, got bored and let it go. She’s so fickle, like an Roman Emperor, she normally revels in bloodshed, but she just gave up on this one. No idea how long it was living behind the chest under the stairs, but it seemed to be building an extension. The bed was lovely. Lots of onion peels. Looked quite cosy. We tried to catch it (to let it go) but it escaped into the bathroom and we think it’s squeezed into a tiny gap under the bath.
There’s only one thing for it, non-lethal traps! Filled with peanut butter!
determination
the fierce stare into sunset
instinct, confidence
Nothing exciting, just a Haiku about playing football! Quite enjoyed it tonight, competitive. Not all my Haikus are about nature, love or the seasons. Well, ok, this one is a little bit about the seasons, as the pitch is orientated East-West, which means one side stares into the setting sun. But for me that celestial glow produced a god like performance :)
dark swathe of starlings
just a small murmur swirling
drift in the wind squall
Starling numbers are declining. Theories suggest modern farming methods, chemicals and the reduction in natural hedgerows are limiting the starlings ability to breed and feed.
When I was young and not so interested in birds, the Starling was pretty common, even where I lived in London, it was recognisable through the dark iridescent coat, catching the sun and reflecting rainbow hues. Year on year their numbers have noticeably declined.
Occasionally you’ll still catch one, chattering away, they are great mimics and have an incredible range of calls and song.
I’d love to see a murmuration, where up to one hundred thousand birds would gather and create and incredible scene in the sky. But today I settled for just a little murmur, there were perhaps forty birds, which landed in a tree outside of my window at work. Haven’t seen that many in years. It cheered me up on a grim rainy day.
(pic from the telegraph)
Night circles the Day
shears the edges with winter
blades and rain soaked chill
I heard on the weather report that the day is now officially shorter than night, the autumn solstice has passed. Of course it’s an inevitability with the change in the seasons. But to hear it brought it home. The weather is gloomy and wet. I think I’ve had my last day of the year without needing a jacket. As they say in Game of Thrones, Winter is Coming.
long dead flowers bow
etched names on your rotten cross
no one visits now
A penitent stag
the huntress fixed him, cursed him
run mute to your dogs
Yesterday I briefly visited the National Gallery, I wrote a one tweet poem for their competition relating to the Ovid / Metamorphoses exhibition they have there at the moment. The original poem I wrote is below. The above is the abridged Haiku version!
Of the Titian artworks on display, I chose the scene relating to Diana and Actaeon, the hunter meeting his match when he spies on the Goddess of the hunt Diana, who by way of punishment, turns him into a stag. He then gets stalked, run down and devoured by his own dogs.
(pic from wikipedia)
My original “one tweet” poem below, less than 140 characters of course.
#titianpoem He gasped, she turned, her fierce wisdom fixed him, froze him, a penitent stag, the huntress cursed him, run mute to your dogs
Co-incidentally I’d bought a second hand copy of Ted Hughes’ adaptation of Ovid’s work a couple of months ago. Before I visited I’d read a few passages. It’s steeped in Hughes’ descriptions of nature, of the wild. So vivid and powerful. My favourite passage from Diana and Actaeon was actually on the wall.
I copy an extract here (from the national gallery website), the late Ted Hughes is a wonderful poet.
……Actaeon
Stared at the goddess, who stared at him.
She twisted her breasts away, showing him her back.
Glaring at him over her shoulder
She blushed like a dawn cloud
In that twilit grotto of winking reflections,
And raged for a weapon – for her arrows
To drive through his body.
No weapon was to hand – only water.
So she scooped up a handful and dashed it
Into his astonished eyes, as she shouted:
'Now, if you can, tell how you saw me naked.'
That was all she said, but as she said it
Out of his forehead burst a rack of antlers.
His neck lengthened, narrowed, and his ears
Folded to whiskery points, his hands were hooves,
His arms long slender legs. His hunter's tunic
Slid from his dappled hide. With all this
The goddess
Poured a shocking stream of panic terror
Through his heart like blood. Actaeon
Bounded out across the cave's pool
In plunging leaps, amazed at his own lightness.
And there
Clear in the bulging mirror of his bow-wave
He glimpsed his antlered head,
And cried: 'What has happened to me?'
No words came. No sound came but a groan.
His only voice was a groan.
Human tears shone on his stag's face
……..
tense long limbs twitch feel
one eye open seven shut
a hunter waiting
Spiders everywhere. it’s definitely Autumn, there’s a chill in the air. This big wolf spider was claiming my £1 off Tesco voucher. I let him keep it. Not sure what he’d spend it on though.
white dove and old stone
above the city chatter
somewhere south the sea
(took this pic in Montpellier’s old town, it might actually be a pigeon, but hey ho)
at first a feeble
whisper from the tufts of grass
cicadas singing
I hadn’t heard them sing for years. It always reminds me of the Mediterranean, only a few miles away.
The cathedral dome
bauble sunk, cupped and smothered
by a fell beast’s hands
Flying over London, I was astonished to see just how small St Paul’s Cathedral is amongst the towers of the city. The Shard is an ugly dagger, sharp and brutal. That it can make Wren’s masterpiece look so small shocked me. St Paul’s still carries a strength, from the river, crossing from Bankside and Tate Modern, it still imposes. But from the air, it looks feeble, a toy.
The journey took us along the path of the Thames into the estuary, the mud flats splayed for hundreds of metres, the hairpin curves of the tributaries, snaking in and out till they reached the brackish water that is neither sea or river.
We then cut south and flew over the alien territory round Dungeness, so barren and lonely looking. A nature sanctuary. Then over the Channel to France.
strewn along the path
bloody nosed beetle corpses
dismantled by ants
This time of year we seem to see an abundance of bloody nosed beetles on the moors. It must be they get disturbed when the harvests happen, so they end up more visible when the crops they normally hide in get shorn. Invariably a lot of them get stomped on. I’ve not picked one up yet (a live one), but apparently they spit a red liquid on you when disturbed, hence the bloody nose.
A pic I took of a live one above.
scarlet seamstress works
from the beating heart outward
hare formed from fine twine
It was the last weekend of Animals Inside Out at the Natural History Museum. I popped down early on Saturday to check it out.
I’d previously been to see Gunther von Hagens' Body Worlds exhibition many years ago when it first toured London. I have a both an admiration, yet a certain ambivalence to his work. I guess, and preposterous as it sounds, despite my love and support of science, there is still some deep seated superstition within me which makes me uneasy around death. Especially when the corpses (plastinised or not) are playing flippin’ tennis or something equally mundane.
Luckily, there wasn’t a giant squid playing tennis against a bull in this exhibition. It was educational, with a real art aesthetic that made you gasp and look deeply. The animals all had died of natural causes, but it still made me sad to see such magnificent animals displayed in this way. The elephant seemed especially haunting somehow. Not because von Hagens had done anything wrong, it just seems sad that so many animals are at threat of extinction and soon our knowledge of them will be driven from travelling sideshows such as these.
The pedestals with the small animals, such as the Hare below were beautiful. Every capillary captured. The tiny tracks of where blood once flowed.
Pic from the Sun
I also popped next door, to the Science Museum, where they had an Alan Turing exhibition. This is Alan Turing year, it would have been his 100th birthday. What a genius. What a sad story.
sparrow hop skip jump
skidding under the hedgerow
too lazy to fly
I wonder why there aren’t so many sparrows any more? This one couldn’t be bothered about flying off when it saw me coming, so she sort of scuttled under a bush and waited for me to pass.
(rspb image – female)
(rspb image – male)
At dusk weary crows
drag their long wings through the air
shadows departing
I drove past two crows, who took off and loped away, blots of night on the remnants of the day.
The last butterflies
have given up on summer
frayed silk on the wing
The butterfly numbers are dwindling, went for a run on the moors earlier, they look pretty much finished. They’ll lay their eggs and die.
I remembered the
long shadows racing across
the shingle shoreline
faded photographs
the certainty of old age
disenchanted hearts
in bramble havens
the fierce stares of blackbirds curse
blackberry brigands
The brambles on the moors are already heaving with fruit. I’m not that fussed about blackberries though, the pips always get stuck in my teeth. The blackbirds are welcome to them all.
tandem ploughs drag lines
cut and fold the fertile muck
slowly turn return
eyes closed in Eden
a freedom in solitude
rainbow melts deceit
Went to a gig with an old friend Alex. We saw various acts pay tribute to Talk Talk. For me their two last albums, Spirit of Eden and Laughing Stock are just sublime/seminal.
Frontman Mark Hollis’ solo album was also beautifully melancholy. Although we weren’t overly enthused with all of the acts playing live, the double covers album of Talk Talk/Hollis songs which was being played sounded amazing.
Although the original albums didn’t do well commercially, the amount of musicians who cite them as influences is impressive, hence the array of talents who have dropped a cover version for the covers album.
I draw on Hollis’ writing themes in today’s Haiku, although I’d never claim to be as good of course.
For your listening pleasure, the incredible Laughing Stock. Stick with its strange mix of rock, jazz, noise and silence. It’s incredibly rewarding. A little known masterpiece.
green naked rosehips
stripped of petals windfallen
too early to blush
a pinch of angels
float, take root on chalk hills
as hardy thistles
Meadow Browns busy
along the sheltered old road
late summer blessings
Some pictures from my walk on Pegsdon Hills today. This is a beautiful time of year especially on days like this where the sun isn’t too hot and the breeze is gentle.
Wild Rose
A barren tree
Hawthorn berries, I took a photo of these trees when they were smothered in blossom back in the Spring.
ploughed fields
Sheep
hooded crows scatter
as distant shotgun echoes
a puff of smoke drifts
They were scaring birds away from the runway at Dublin airport.
the mud finally
relents when the baking sun
toughens the earth skin
The sun shone, it was glorious. A great final day to the festival.
One by one they come
swift sorties tight to the hedge
insect gathering
So I’m at Electric Picnic, a great music festival, but I’m inspired by birds again. Swifts loading up for their massive migration to Africa by acrobatically flying against the hedges, elegant twists and turns in mid air to catch unknowing flies or spiders floating on gossamer.